Ace Books is a publisher of science fiction (SF) and fantasy books founded in New York City in 1952 by Aaron A. Wyn. It began as a genre publisher of mystery fiction and westerns, and soon branched out into other genres, publishing its first science fiction title in 1953. This was successful, and science fiction titles outnumbered both mysteries and westerns within a few years. Other genres also made an appearance, including nonfiction, Gothic fiction novels, media tie-in novelizations, and romance novel. Ace became known for the tête-bêche binding format used for many of its early books, although it did not originate the format. Most of the early titles were published in this "Ace Double" format, and Ace continued to issue books in varied genres, bound tête-bêche, until 1973.
Ace, along with Ballantine Books, was one of the leading science fiction publishers for its first ten years of operation. The death of owner A. A. Wyn in 1967 set the stage for a later decline in the publisher's fortunes. Two leading editors, Donald A. Wollheim and Terry Carr, left in 1971, and in 1972 Ace was sold to Grosset & Dunlap. Despite financial troubles, there were further successes, particularly with the third Ace Science Fiction Specials series, for which Carr came back as editor. Further mergers and acquisitions resulted in the company becoming absorbed by Berkley Books. Ace later became an imprint of Penguin Group.
The first book published by Ace was a pair of mysteries bound tête-bêche: Keith Vining's Too Hot for Hell, backed with Samuel W. Taylor's The Grinning Gismo, priced at 35 cents, with serial number D-01.Kelley (1982), pp. 1-14. A tête-bêche book has the two titles bound upside-down with respect to each other, so that there are two front covers and the two texts meet in the middle. This format is generally regarded as an innovation of Ace's; it was not, but Ace published hundreds of titles bound this way over the next twenty-one years.Corrick (1989), pp. 6-10. Books by established authors were often bound with those by lesser-known writers.Wollheim (1989), p. 5. Ace was "notorious for cutting text", in the words of bibliographer James Corrick: even some novels labeled "Complete and Unabridged" were cut.Corrick (1989), p. 11. Isaac Asimov's The Stars Like Dust was one such: it was reprinted by Ace under the title The Rebellious Stars, and cuts were made without Asimov's approval.Asimov (1980), p. 16. Similarly John Brunner repudiated the text of his novel Castaway's World because of unauthorized cuts to the text.
Some important titles in the early D-series novels are D-15, which features William S. Burroughs's first novel, Junkie (written under the pseudonym "William Lee"), and many novels by Philip K. Dick, Robert Bloch, Harlan Ellison, Harry Whittington, and Louis L'Amour, including those written under his pseudonym "Jim Mayo".Canja (2002)
The last Ace Double in the first series was John T. Phillifent's Life with Lancelot, backed with William Barton's Hunting on Kunderer, issued August 1973 (serial #48245). Although Ace resumed using the "Ace Double" name in 1974, the books were arranged conventionally rather than tête-bêche.Corrick (1989), pp. 12, 63.
With Ballantine Books, Ace was the dominant American science fiction paperback publisher in the 1950s and 1960s. Other publishers followed their lead, catering to the increasing audience for science fiction, but none matched the influence of either company.Edwards & Nicholls (1993), p. 977. Ace published, during this period, early work by Philip K. Dick, Gordon R. Dickson, Samuel R. Delany, Ursula K. Le Guin, and Roger Zelazny.
In 1965, Ace published an unauthorized American paperback edition of The Lord of the Rings by J. R. R. Tolkien, believing that the copyright had expired in the U.S. Tolkien had not wanted to publish a paperback edition, but changed his mind after the Ace edition appeared, and an authorized paperback edition was subsequently published by Ballantine Books, which included on the back cover of the paperbacks a message urging readers not to buy the unauthorized edition. Ace agreed to pay royalties to Tolkien and let its still-popular edition go out of print.Tolkien (1981), letters #270, #273, and #277.
Wyn died in 1967, and the company grew financially overextended, failing to pay its authors reliably. Without money to pay the signing bonus, Wollheim was unwilling to send signed contracts to authors. On at least one occasion, a book without a valid contract went to the printer, and Wollheim later found out that the author, who was owed $3,000 by Ace, was reduced to picking fruit for a living.Knight (1977), p. 176.
In 1969 Ace Books was acquired by Charter Communications in New York City. In 1977 Charter Communications was acquired by Grosset & Dunlap, and in 1982, Grosset & Dunlap was in turn acquired by G. P. Putnam's Sons.Dzwonkoski (1986), p. 6. Ace was reputedly the only profitable element of the Grosset & Dunlap empire by this time. Ace soon became the science fiction imprint of its parent company.
Carr returned to Ace Books in 1984 as a freelancer editor, launching a new series of Ace Specials devoted entirely to first novels. This series was even more successful than the first: it included, in 1984 alone, William Gibson's Neuromancer, Kim Stanley Robinson's The Wild Shore, Lucius Shepard's Green Eyes, and Michael Swanwick's In the Drift. All were first novels by authors now regarded as major figures in the genre. Other prominent science fiction publishing figures who have worked at Ace include Tom Doherty, who left to start Tor Books, and Jim Baen, who left to work at Tor and who eventually founded Baen Books. Writers who have worked at Ace include Frederik PohlKelley (1982), p. 14. and Ellen Kushner.
In 1996, Penguin Group acquired the Putnam Berkley Group, and has retained Ace as its science fiction imprint. As of December 2012, recently published authors included Joe Haldeman, Charles Stross, Laurell K. Hamilton, Alastair Reynolds, and Jack McDevitt. Penguin merged with Random House in 2013 to form Penguin Random House, which continues to own Berkley. Ace's editorial team is also responsible for the Roc Books imprint, although the two imprints maintain a separate identity.
The first series of Ace books began in 1952 with D-01, a western in tête-bêche format: Keith Vining's Too Hot for Hell backed with Samuel W. Taylor's The Grinning Gismo. That series continued until D-599, Patricia Libby's Winged Victory for Nurse Kerry, but the series also included several G and S serial numbers, depending on the price. The D and S did not indicate "Double" (i.e., tête-bêche) or "Single"; there are D-series titles that are not tête-bêche, although none of the tête-bêche titles have an S serial number.Kelley (1982), p. 2. Towards the end of this initial series, the F series began (at a new price), and thereafter there were always several different letter series in publication simultaneously. The D and S prefixes did not appear again after the first series, but the G prefix acquired its own series starting with G-501. Hence the eight earlier G-series titles can be considered part of a different series to the G-series proper. All later series after the first kept independent numbering systems, starting at 1 or 101.Kelley (1982), p. 8. The tête-bêche format proved attractive to book collectors, and some rare titles in mint condition command prices over $1,000.
Ace added a line of "singles" and the Ace Star series for larger and more expensive books (especially non-fiction).
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